Posts Tagged ‘The Wire’

Anyone want to recommend a George Pelecanos (The Wire, Treme) book?

Monday, May 3rd, 2010


(Photo via NY Mag)

I’m thoroughly enjoying Treme. By no large stretch of the imagination is this because of familiar key players involved: David Simon, Eric Overmyer, David Mills (R.I.P.), Clarke Peters, Wendell Pierce, George Pelecanos – to name a handful. Each one of these people were involved in The Wire, a show which I devoured in it’s five season entirety in roughly eight months.

Last night’s fourth episode, At the Foot of Canal Street, was written by Wire producer/writer mainstay George Pelecanos. He was responsible – at least as much that he wrote the episode – for penning the The Wire terminology Hamsterdam, which got a call-out in last night’s episode of Treme.

Before I go too far down the The Wire nerd-hole, let me just stop and say that Pelecanos is seriously good at writing television drama. Those that want to continue to search for correlations between the two show, let me redirect you to today’s AV Club’s Stray Observations about Treme.

Pelecanos is also an accomplished author. He’s published a slew of novels, all in the genre of gritty detective fiction. All his books are set in Washington, D.C. – interesting b/c the T.V. shows he’s worked on – counting The Wire and Treme – only deal with the capital city on an ancillary level.

Personally, I’m interested in checking out what Pelecanos has to offer via lexicon. A little cursory research suggests if you’re going to read one, read King Suckerman. The Library Journal called it “Cheech and Chong meet Pulp Fiction in a retro novel of Seventies drug culture.” Plus, I think Puff Daddy tried to make it into a movie in the late-90′s (when he was called Puff Daddy).

Anyone familiar with Pelecanos’ literature, feel free to offer and alternative or words of encouragement to check out King Suckerman. Judging by my current acquaintance with his work, I’m going to like whatever it is.

Donte Stallworth looks like Omar…also, he’s a complete piece of sh#!

Thursday, June 18th, 2009

I shouldn’t even give this criminal low-life the satisfaction of being affiliated with one of the great faux criminals (read: realistically, nothing more than one of, if not the, most badass TV characters of recent times), but the look-alike factor is just too staggering not to point out.

See it for yourself, animosity after the jump…







The real reason I’d like to interject The Wire into the conversation, one of the great mantras of show re: doing hard time amongst the convicts on the show was, “You only do two days – the day you go in, and the day you get out.”

Well, here’s hoping those two days of Donte Stallworth’s not-at-all laughably unjust 30-day sentence (30 FREAKIN’ DAYS) for DUI manslaughter are unpleasant and unusually unsettling.

Donte Stallworth gets 30 days in jail for DUI manslaughter in FLORIDA! (Crooks & Liars)
NFL Cannot Follow Legal System in Letting Stallworth Get Off Easy (Fanhouse)

The Wire: Five Seasons in Five Minutes (Rap Song)

Wednesday, January 7th, 2009

Special bonus post today, because this is the coolest thing I’ve seen all week.

H/T to Nah Right for posting this first. Rapper Skillz recaps the five illustrious seasons of The Wire in a single five minute – 678 bars, approximate – verse. Hell yeah.

TOSS THE BURNER: Sep. 2, 2008

Tuesday, September 2nd, 2008


Tristan Wilds returns to the small screen tonight in the premiere of (errr) 90210. Regardless of what happens, I think we can all agree he was brutally awesome in The Wire.

Palin’s Sojourn as a Sportscaster (The Washington Post)
Dr. Julius Erving, Dr. Chapstick, Commercial (NESW Sports)
Monta Ellis: ‘Ain’t no way [to guard me]‘ (Odenized)
More Usainity (Rumors & Rants)

TOSS THE BURNER: August 14, 2008

Thursday, August 14th, 2008

Thoughts on The Wire Series Finale

Tuesday, March 11th, 2008

SHEEEEITTTTTT…It’s over. What a bummer, but what a season/series finale. A little ways into the finale, as things seemed to resolving themselves a tad too quickly, we found ourselves saying everybody wins (it didn’t even appear that Herc was going to botch everything up like he usually does). After digesting the show as a whole I came up with three discernable losers:


1.) Cheese Wagstaff (Method Man)

If Slim Charles wasn’t the Miles Davis of this whole operation we could have clearly seen this coming. Slim has always been an elite soldier under top players (Avon Barksdale, Prop Joe), and little has ever affected him.

In Season Four when he breaks the news to Bodie that one of his top lieutenants (Little Kevin) was taken out by Marlo’s crew – the news that would be Bodie’s mental undoing – Slim stays as cool, calm and collected as can be. And the scene of him rolling up his window with a glazed look in his eyes is a perfect characterization of how detached the game can make you from reality.

So when Marlo conveniently annoints Cheese after his kin Prop Joe is disposed of, Slim’s discontent shows us that he has been shaken for once.

Frankly, I think Cheese is really just the victim of when keeping it real goes wrong. I more or less agree with his whole loyalty is nothing diatribe before he gets it. In hindsight, Prop Joe should have been the one to ignore their family ties, and put him out to pasture a while ago. However, this was more about Slim Charles’ ascent to realizing his potential in the game than Cheese’s decline.


2.) Dukie

The scene from the penultimate ep with Dukie walking back into the alley to go live with the Arabers is one of the most tear-jerking of the entire series. I thought David Simon did a brilliant job of working parallel paths with the vagrant/addict story lines. You saw characters like Bubbles and Waylon proving that it is possible to dig out of drug abuse and homelessness if a small glimmer of hope exists. And Yet, at the same time, someone like Dukie can fall into the addiction trap at a point where there is no conceivable way they’ll ever get out. He mortgages his one chance for future rescue for a $200 donation from Prezbo, who makes it clear that he never wants to see Dukie again after this. In my opinion, the Dukie tragedy is Simon’s way of reaffirming the volatility of the drug trade through the hopelessness of the people who fall into addiction.


3.) McNulty

Stop saying he is going to be OK. They romanticize McNulty’s demise in the final episode so beautifully, that I almost can believe his new lifestyle will suit him. An unlikely culprit, Rawls even delivers the line of episode if not the season (You’re not killing them yourself, assure me of that?) as McNulty and Lester’s scheme becomes unraveled. And the faux wake in the bar…let’s just say this: I don’t know if I’m inventing the concept of the video will right here, but as soon as I can get my hands on a clip of that scene, I’m going to get the ball rolling on one. I’ve already had a few hard commits from friends who said they’ll definitely attend if they outlive me. It’s been a morbid couple of days.

In the final episode, a few people make sacrifices for other characters (e.g. Daniels for Ronnie). Several others cook up schemes of compromise to save each others ass (Ronnie, Levy). McNulty falls on his sword, and accomplishes almost nothing.

Much of this opinion has to do with what I believe is next for Marlo Stanfield. His vision of his role in the game is made clear to us very quickly. He was meant to wear the crown, regardless of where that leads him. And Marlo’s self awareness is enough to make me believe that a threat of further legal action is not going to keep him from continuing to be who he believes he was destined to be.

McNulty’s inability to put away Marlo proves his investigation, and the subterfuge that ends his career, is a tragic failure. Probably better than anybody else, he knows that putting a few of Marlo’s top guys in (Monk, Cheese) is going to affect the game very little. Ultimately, all we’ve done is take Baltimore’s top detective out of play; all Baltimore has left is the Bunk.

I was almost buying the classic storyline concept of a character making a transition to create viable closure. When McNulty appears to show that he is OK with Kima ratting him out to Daniels and the department, I almost believe that he has converted. That he now feels that it is not the job that defines him, but the people in his life that he cares about (Kima, Bede, Lester). In reality, what made McNulty a good dectective is his obsession with the work, just like Marlo being a full blown sociopath made him a good drug dealer. One of the things The Wire harps on is how difficult it is to shake your flaws. Drinking and womanizing are not McNulty’s real flaws, they are merely extensions of his inability to do anything but obsess over his job. And I think his thwarting from what he defines himself as is, in this particular case, unrecoverable. Welcome to exile, Jimmy.

Obviously, the montage of where do we go from here for each character had me thinking about what could conceivably happen next. Simon goes to great lengths to establish a new beginning (or at least a next step) for almost every major character in the show. Parts of this border on too romantic – Michael as the new Omar and the new Robin Hood of the West Side. Parts are full-on despicable – Templeton winning the Pulitzer. Conspicuously absent from the final rundown is Marlo. His final scene where he takes on two corner boys and is elated (if not, rejuvenated) by the site of his own blood from a wound on his arm is as open ended as conclusions come. This is Simon’s Sopranos fade to black moment.

I’ve said my piece about Marlo inevitably getting back in the game, and I realize the logistics of this happening leave something to be desired. All his muscle is either locked up or dead. Plus, he’s sold off the connect to Slim Charles and Fat Face Rick for $10 million. Not to mention, Michael is kind of on a shoot first ask questions later kick, and if Marlo were to reenter the drug racket he’d come to find out very quickly that he was on his short list.

Marlo has every reason in the World to just come along for the ride with Levy and his white collar brand business dealings; inevitably, he’ll find a healthy amount of corruption to keep himself up. But keep in mind that being out of jail means that Marlo is thrust back into a despicable society that thrives because little is ever done to affect the flaws of its inhabitants. Do you really think that Marlo is the exception? Thus, for me, it’s not where does he go from here? it’s how does he get back to where he came from? I’ma think on it; I figure I’ve got five years until they bring this show back for the good of mankind (at least I keep telling myself that).

In conclusion, I urge everyone to buy the seasons on DVD and start rewatching the entire series immediately. If you’re as simple minded as me, you’ll without question have many moments where details that you initially perceived as minuscule reveal their true importance and a subtle awesomeness that you might have missed the first time around. For instance, the scene from Season Four after Michael turns down $200 for school clothes from Monk and Marlo goes up to him and asked if he’s too good for his money. After everything we’ve seen transpire since then, the look that Michael gives Marlo is captivating.

Additionally, I’ve pumped The Wire to people more than any show I was ever into. A lot of times someone will say that they can’t feasibly get into another show (I already follow 18 shows and am am trying to get caught up on Lost; my DVR is ruining my life). Easy solution: drop something; Dirt is not that good, Lipstick Jungle, not good at all, Rome - eww, gross. Two months from now, when you’re contemplating a career in drug-dealer robbery or money laundering you can thank me.

A couple good Wire links:

Alan Sepinwall’s Review of the Finale
Baltimore Sun tells us how to find the bars from the show (I could take tomorrow off from work)
NPR Interview w/Michael K. Williams (Omar)….apparently, he discovered Snoop and got her cast on show
The NYT Review
milk was a bad choice Finale Recap

Toss the Burner: Tuesday, March 11

Tuesday, March 11th, 2008

Still gotta do my Wire post…didn’t happen yesterday (I guess that’s what you get when you follow up an epic series finale with a few hours of subsequent Bud-Proper drinking and a week’s DVR worth of Jeopardy re-runs).

Watching multiple Jeopardies on DVR has shown me just how inefficient my day-to-day truly is. When you eliminate the commercials and the spirit-crippling Trebeck interviews with the contestants you can knock those babies out real quick.

Found this blog by way of Jodie’s Gossip on Sports, and it moved me to goof off with Nike ID a little. I’ll tell you what, you can come up with some real Mickey Mouse sneaker designs on that site…


Determined to give my one-day late reaction of The Wire today. Wanted to first finish reading Alan Sepinwall’s take on the final episode (it’s bulky), and I also hear that this interview with Michael K. Williams (Omar) is not to be missed.

Inspired Thoughts:
“Every time you go in there, you know that coming out it’s going to be OK,” my dear friend Young Braj, commenting on the presence of a bidet in the bathroom at my new office.

/thinking about starting the company – Home Office Bidets Inc.

Toss the Burner: Monday, March 3

Monday, March 3rd, 2008


Those in the know I’m sure realized where the inspiration for my Toss the Burner posts originated from almost instantly.

Next Sunday brings us to the end of a yet another TV era when The Wire series finale airs.

I love this show so much. It’s the greatest show on concrete – underdeveloped, crack vile laden, animalistic concrete. It even moved me to read an NYT article about some Bush administration gobbledeegook this morning.

My prediction for the finale, the bad guys are going to win. Though who that means exactly depends on your perspective.

I’m not even going to throw out any sort of substantial prediction. One of the things I like about this show is that I’m always wrong. No scheme I ever cooked up for The Wire ever happened, ever.

The curveballs never cease to end with this show. For instance, HBO has been putting each episode On Demand a week early throughout the season. Yet, apparently they’re putting the kabbash on that for the Series Finale.

steady burn vol. 1, ed. 1

Wednesday, January 30th, 2008

Is it volume, then edition (then issue?), or the other way around? (Or something completely different, I don’t know). Immaterial! Links dammit!

Get your sparse chinstrap outta here, Sambora! Impressive, and that’s not even the guy named Logan Mankins.